Multi-platinum indie pop artist Dayglow reveals his new self-titled project and celebrates the official announcement by dropping his latest single “Cocoon.” DAYGLOW embodies exactly who Sloan Struble is as an artist and creative and acts as a proper introduction into the bright and colorful Dayglow world. The 10-track debut record was solely written, performed, recorded, produced, and mixed by Struble himself in his Malibu home studio. He opens up and shares, “When I was 18 years old, I made my mixtape Fuzzybrain. I was a pretty introverted kid from a reasonably small town in Texas, so I didn’t expect much to happen ‘commercially’ for the record—I just made it for my own enjoyment, really. As a fan of the 2010’s indie music scene (MGMT, The Strokes, Phoenix, Passion Pit, etc.), I wanted to see what kind of album I could make completely alone in my bedroom. So, out of the quest to make something I loved, Dayglow was born. It was a clear reflection of myself at that time. It was pure, naive, goofy, guitar-driven indie-pop made to be played live by a 5-piece band (that I didn’t even have yet).”

Multi-platinum indie pop artist Dayglow reveals his new self-titled project and celebrates the official announcement by dropping his latest single “Cocoon.” DAYGLOW embodies exactly who Sloan Struble is as an artist and creative and acts as a proper introduction into the bright and colorful Dayglow world. The 10-track debut record was solely written, performed, recorded, produced, and mixed by Struble himself in his Malibu home studio. He opens up and shares, “When I was 18 years old, I made my mixtape Fuzzybrain. I was a pretty introverted kid from a reasonably small town in Texas, so I didn’t expect much to happen ‘commercially’ for the record—I just made it for my own enjoyment, really. As a fan of the 2010’s indie music scene (MGMT, The Strokes, Phoenix, Passion Pit, etc.), I wanted to see what kind of album I could make completely alone in my bedroom. So, out of the quest to make something I loved, Dayglow was born. It was a clear reflection of myself at that time. It was pure, naive, goofy, guitar-driven indie-pop made to be played live by a 5-piece band (that I didn’t even have yet).”

After breaking records globally and announced as the headliners of Lollapalooza, Stray Kids are back with a brand-
new album titled ATE, which now available an Accordion Ver. available in 8 versions, specific to each member:

BANG CHAN, LEE KNOW, CHANGBIN, HYUNJIN, HAN, FELIX, SEUNGMIN and I.N. Contents of the album
include: CD, Photobook, Lyrics Paper, Photocard (random 1 of 8), Mini Lip Card (random 1 of 8) and Additional
Photocard (random 1 of 8). Dimensions: 178 x 128 x 8 mm.

After breaking records globally and announced as the headliners of Lollapalooza, Stray Kids are back with a brand-
new album titled ATE, which now available in a limited ATE Ver. Contents of the album include: CD, Outbox,

Photobook (84 pages), Photocard (random 1 of 8), Monochrome Photo Receipt (random 1 of 8), Portrait Poster
(random 1 of 8), Bitmap Mini Poster, Mini Newspaper, Folded Poster, Sticker Pack (8 each) and International Retail
Exclusive Postcard. Dimensions: 224 x 164 x 14.5 mm.

introducing "hi my name is insecure" – a transformative musical journey crafted by the immensely talented sam tompkins. this groundbreaking record, comprising 16 tracks, stands as a testament to sam's genre-defying signature sound, a fusion he aptly describes as "emotive songwriter, cinematic pop." with a sweeping range, the album artfully traverses the spectrum of human experience, delving into the depths of love and loss.

beyond the captivating melodies, sam is a dedicated advocate for mental health, a commitment evident since the inception of his career. recent personal experiences have only strengthened his resolve to address critical themes such as social anxiety and depression through his music. each note and lyric serve as a comforting balm for those navigating the challenges of life.

as you immerse yourself in the rich tapestry of "hi my name is insecure," sam invites you to share in his mission. he believes in the power of shared experiences, emphasizing that a problem shared is a problem halved. through his music, sam aims to dismantle the stigma surrounding struggles, fostering an environment where no sadness is deemed shameful. join sam tompkins on this empowering musical odyssey, where vulnerability becomes strength, and the human experience is celebrated in all its raw and authentic beauty.

Produced by Chris Coady and written by DIIV (pronounced Dive), Frog in Boiling Water, the band’s fourth full-length LP is a collection of snapshots that explores the brutal realities of end-stage capitalism and overwhelming technological advance. Across 10 dark and dazzling tracks, DIIV documents the collapse from various angles with unusual sensitivity and depth of purpose while expanding their grand, hypnotic shoegaze, to create a transportive, sensual work of hope, beauty and renewal.

There is no artist in the world like Sia. Try to think about an artist who transformed from an in-demand indie pop vocalist and chanteuse into a global pop superstar more than a decade into their career. Try to imagine that same global pop superstar writing and producing music for many of the other most iconic stars of our time. And then let yourself think about how Sia Furler has racked up more worldwide streams and hits (6 in the “Billions Club” on Spotify, and counting...) all while never showing her face, never compromising her artistic vision, and never letting anyone else define pop stardom for her. It’s staggering to imagine any artist doing just one of these things, let alone all of them, over the course of a career that continues to reach new heights. It’s worth repeating: there is no artist in the world like Sia.

Some quick background: Sia Furler grew up in Australia the daughter of musicians. Starting out in Adelaide, singing in bands and releasing her own music in 1997, Sia moved to London and released her debut album Healing Is Difficult in 2001. That same year she first appeared as part of Zero 7 on their debut album Simple Things - a collaboration that would continue with two more albums and a series of world tours. 2004’s Colour The Small One included “Breathe Me,” which famously soundtracked the final scene of the final episode of HBO’s Six Feet Under. More albums followed (2008’s some people have REAL problems, 2010’s We Are Born) before Sia began writing and co-writing, and featuring on songs for other artists, including Rhianna, David Guetta, Flo Rida, all of whom had massive, chart-topping hits thanks to Sia.

Her song “Chandelier,” from 2014’s Grammy-nominated 1000 Forms Of Fear, not only changed the way pop music sounds, but it revolutionized the art of music video with the groundbreaking clip starring Maddie Ziegler. More worldwide smashes followed in quick succession: “Elastic Heart,” “Big Girls Cry,” “Alive,” “Together,” “Dusk ’Til Dawn” with Zayn, and “Cheap Thrills” - a Billboard number one single for 8 nonconsecutive weeks. Over 50 billion audio streams don’t lie. Her Christmas album, released in 2017, has one of the top 10 most streamed holiday songs of all time. She directed her first feature film, titled Music, in 2021, and in 2022, a song from 2016’s This Is Acting - “Unstoppable” - became a viral sensation, pushing it past a billion plays on Spotify and onto the charts again in multiple countries around the world seven years after its release. Meanwhile, Sia co-wrote songs for other icons like Miley Cyrus, Paris Hilton, and more; wrote songs for countless films and TV show soundtracks; gave away money to Survivor contestants (her favorite show!); put her energy into animal rights advocacy; and more.

And now - there is Reasonable Woman, Sia’s first proper album since 2016. Reasonable Woman is so filled to the brim with pop perfection, it almost overwhelms with how effortless it is for her to craft such instantly connectable songs. The collection is everything Sia does best, and the sonic equivalent of a myriad of things: an empowering embrace, secrets told late at night, going to the best party in the world, the vulnerability of declaring you love someone, the steadfast determination to keep going, even if your love isn’t returned; the messiness of being human; the exuberance of being human. In essence, it is life - happening to us, happening for us; the songs on Reasonable Woman mirror back to us being alive with every chorus.

After nearly topping Billboard's Heatseekers & Alternative New Artist charts with their 2018 self-titled debut and critically praised follow-up 2021's "Aftermath," Chicago's red-hot rock band BELMONT has announced plans to release their eagerly anticipated third record, "Liminal," on April 12th with Pure Noise Records.
Commenting on the single's lyrical content, vocalist Taz Johnson says:
"Much like life, our thoughts are a series of never ending transitions with no start or finish, a cycle we never escape. Learn to find comfort in what never was, cuz it will always be.”
BELMONT's awaited third record, "Liminal," is a testament to the band's growth as musicians and continued quest to explore sonic realms beyond their signature style. Expanding on their early pop-punk roots, the three-piece blend and bend genres with fun yet complex experimentation and refined instrumentation. From anthemic pop-punk sing-alongs to electronic driven body movers, "Liminal," is a non-stop party made for high-fives and stage-dives.
While "Liminal's" sound is upbeat, the lyrics take on somewhat of a more poignant tone with stories of inner turmoil, rumination and emotional distress with hopeful narratives of acceptance, perseverance and mindfulness.
"'Liminal' as the title for our third record is meant to be an escape to a different world," Johnson says. "It’s a nostalgic longing for a place that doesn’t really exist, but you wish you were there."

Only God Was Above Us is the new album from Vampire Weekend. Available on CD, and 2 Disc Vinyl.

GRAMMY award-winning, multi-platinum rock band Kings of Leon are coming back big with their 9th full-length studio album, Can We Please Have Fun. As the title suggests, it’s a document of one of this era’s great rock n’ roll bands cutting loose, trying new things, and, yes, having some fun. Recorded at Dark Horse studio and produced with new collaborator Kid Harpoon (Harry Styles, Florence + the Machine) the album sees a new side of Kings of Leon. On the new album, the band harkens back to their gritty origins while simultaneously finding new gears. It’s the sound of a band unified in vision and purpose, freed from any expectations, and the album the band says they’ve always wanted to make. Indie Exclusive Apple LP. Limited Edition.

Almost out of necessity, Les Savy Fav’s sixth LP was born in a pocket reality: singer Tim Harrington’s Brooklyn attic. “A freaky barn,” as he calls it, the room was built over the ruins of black mold and plywood, a de facto studio. Different from anywhere they’d ever recorded, the space allowed for a much-needed rebirth for the long-running post-hardcore band. In that in-between, they pieced together what would become their latest evolution, OUI, LSF, growing the album’s title and cover art out of a patch of grass. “The record grew organically — literally and figuratively,” Harrington notes wryly. 

It’s impossible to talk about Les Savy Fav’s latest without acknowledging that it’s been more than 10 years since the guys released 2010’s Root for Ruin. But it’s not like they had a messy breakup or quit to become bankers. They just had a lot of living to do. “When we finished our last record, there was a sense that if we were going to do more, we wanted to do something more ambitious,” Harrington says. “I think it took us a while to even get in a space where that was possible.” In the interim, the band has been busy building growing their families, taking and losing jobs, and living through the various ecstatic and hideous aspects of growing older. Remember, these five men — Harrington, Seth Jabour, Syd Butler, Harrison Haynes, Andrew Reuland — have been friends and collaborators since 1995, when they attended Rhode Island School of Design. 

The resulting album is a glorious mix of tragedy and comedy — studded with nods to the band’s eclectic musical taste — delightfully weird and utterly them, tripping from ghostly bops to ruminations on love and loss to some seriously debauched and crazy nights. A decade may have passed, but Les Savy Fav is still growing — like their musical range, like the seeds that grew into their album art, like their legacy. Here’s to 10 more years of delicious lunacy.

NOW SHIPPING SIGNED COPIES WHILE SUPPLIES LAST! ONE PER PERSON.

St. Vincent’s first self-produced record, All Born Screaming is Annie Clark at her most unfiltered. All Born Screaming is an invitation to test the limits of what is possible–and to then keep going;  Brought to life with the aid of a highly curated dream lineup of friends — Rachel Eckroth, Josh Freese, Dave Grohl, Mark Guiliana, Cate Le Bon, Justin Meldal-Johnsen, Stella Mogzawa and David Ralicke — the album is an unadulterated expression of St. Vincent’s singular vision.

"Manhattan Fire’ is a collection of demos from prolific Brooklyn outfit The Men, revealing early versions of the tracks that would go on to make up their 2023 LP ‘New York City’ – described by Pitchfork as “an unpretentious garage-punk racket […] summoning the snottiest ghosts of the city’s punk past.” Recorded in mono and with a drum machine by founding members Mark Perro and Nick Chiericozzi over lockdown in late 2020 – before being shelved for the full-band, live-to-tape affair of the final LP – ‘Manhattan Fire’ shows a new side to those songs that's even more primitive and rough around the edges, as well as previously unheard tracks that never made it onto the album.

Clancy marks Twenty One Pilots’ first studio album in three years and follows their RIAA Gold certified LP, Scaled And Icy. With details of the release teased to fans earlier this month via cryptic mailings and covert artswaps on streaming services, “Overcompensate” welcomes listeners back to the band’s immersive world of ‘Trench.’ Layers of synths build over a racing breakbeat in the song - a skilled passage of alternative dynamics, flexing in time, and ready to explode. Having amassed over 33 billion streams worldwide and over 3 million tickets sold across global headline tours, the Columbus, OH based duo of Tyler Joseph and Josh Dun have established themselves as one of the most successful bands of the 21st century and redefined the sound of a generation.  Co-produced by Joseph and Paul Meany, Clancy marks the final chapter in an ambitious multi-album narrative first introduced in the band's 2015 multi-Platinum breakthrough, Blurryface.  Furthermore, Clancy’s forthcoming release on May 17th coincides with the 9th anniversary of Blurryface, which was released exactly nine years prior to the day. Twenty One Pilots extended the ambitious concept laid out in Blurryface with their 2018 Platinum-certified album TRENCH.  Featuring the multi-Platinum and Platinum singles “Chlorine,” “My Blood” and the GRAMMY® Award-nominated “Jumpsuit,” the album graced spots on “Best of” year-end lists by Billboard, KERRANG!, Alternative Press, and Rock Sound—who placed it at #1.

Miami-formed and long-time Nashville-based, genre-bending Americana icons The Mavericks return with their highly anticipated 13th studio album 'Moon & Stars.' The record marks their first new music release since 2020’s groundbreaking and chart-topping 'En Español' project and their first return to a full English language release since their acclaimed 'Brand New Day' album in 2017.

“This record has been a journey of reflection, introspection, patience, learning and evolving. Some of these songs were written years ago, but they weren’t ready. Or maybe we weren’t. We are now," the band says.

Already known for their distinctive and eclectic Americana/roots fusion of alternative & outlaw country, rock, blues, R&B  and Tejano/Tex-Mex influences, The Mavericks quite appropriately recorded the tracks of 'Moon & Stars' across the country in Blackbird Studio (Nashville, Tennessee), Frogville Studios (Santa Fe, New Mexico), and Dockside Studio (Maurice, Louisiana). The result is a long-awaited album that instantly invokes both a timeless feel of a classic Mavericks release that will fit seamlessly among their most revered career work, while once again challenging genre conventions and pushing the boundaries of their melting pot sound ever forward.

Special featured guests on the album include Sierra Ferrell, Maggie Rose, Nicole Atkins, and the band’s own ‘Fantastic Five’ member Max Abrams. Song co-writers include Bernie Taupin, Sam Hollander, Wally Wilson, and more

The Story So Far have announced their upcoming 5th studio album, I Want To Disappear, out June 21 via Pure Noise Records. Produced by Jon Markson (Drug Church, KOYO), the album features previously-released single “Big Blind” alongside nine brand new The Story So Far tracks. I Want To Disappear comes nearly six years after the band’s previous album Proper Dose, which debuted at #19 on the Billboard 200 chart.

..Is Committed represents both a return to form and a mid-career left turn. Bemis still traffics in
exaggeration and Jewish humor, but the hyperbole has been tempered by the blows of reality.
This is no longer the angst of post-adolescence, but the grim phantasms of adulthood. Coming
full circle in a sense, Bemis says these are the most autobiographical songs that he’s written since
high school.
As with any Say Anything record, the songs are rollicking and self-referential, jampacked with
meta-references and in-jokes. Before “lore” became a Gen Z cliché, Bemis was employing it was
still called “world-building.” The opener “BE, CHILDREN (INTRODUCTION TO THE
REUNION RECORD)” starts off with what might as well be a mission statement: “to the self-
indulgent/indulge yourself with me.” It’s partially a satire of a reunion song, but filled with a
jarring and uncomfortable honesty that belies the tongue-in-cheek humor. It also rocks hard.
Bemis did not bring Say Anything back to make an Iron & Wine record.

Local Natives' sixth studio album But I'll Wait For You is the expansion of their last project Time Will Wait For No One - the completion of a statement. It serves as an obligatory reminder of the transient nature of time & the necessity of prioritizing tenderness amongst the noise.

15th anniversary pressing of Silverstein’s fourth studio album. The concept album chronicles a ship setting out to find land to no avail, causing the crew to turn on the captain. Upon its 2009 release, the album reached #3 on the Billboard Independent Albums chart and was dubbed an "enjoyable, catchy album that digs deeper than most bands in its genre" by AbsolutePunk. It includes the single, “Vices” as well as fan favorites “The End,” “American Dream” and more.

The first time ever individually on vinyl, the album that started it all for Ipecac and the first album by Fantomas. The band is Mike Patton, Buzz Osborne, Dave Lombardo and Trevor Dunn. Reissued for Ipecac's 25th Anniversary in various colors with a fold-out poster

The debut album by Passion Pit.  Manners is coming back to vinyl for its 15th Anniversary. Remastered for vinyl with full gatefold jacket that displays alternative artwork only previously available on the cd.

Billie Eilish’s third studio album, "HIT ME HARD AND SOFT", released via Darkroom/Interscope Records is her most daring body of work to date, a diverse yet cohesive collection of songs— ideally listened to in its entirety from beginning to end—does exactly as the album title suggests; hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way. With the help of her brother and sole collaborator, FINNEAS, the pair wrote, recorded, and produced the album together in their hometown of Los Angeles. This album comes on the heels of her two massively successful albums “WHEN WE ALL FALL ASLEEP WHERE DO WE GO?" and "Happier Than Ever" and works to further develop the world of Billie Eilish.