Adult Mom began as the solo project of Stevie Knipe in a Purchase College dorm room in 2012, and now falls between the playful spectrum of solo project and collaborative band with beloved friends and musicians Olivia Battell and Allegra Eidinger.

On Driver, Adult Mom’s third studio release, Stevie Knipe delves into the emotional space just beyond a coming-of-age, where the bills start to pile up and memories of college dorms are closer than those of high school parking lots. Like so many other twenty-somethings, Adult Mom’s third LP seeks to answer the age old question: what now?

With an actualized sound, Adult Mom has arrived to soundtrack the queer rom-com they’ve been dreaming of since 2015. Driver incorporates an expert weaving of sonic textures ranging from synths and shakers to ‘00s-inspired guitar tones which convey a loving attention to detail.

Looking at Dan Andriano’s catalog, one might assume that making new music is old hat for the veteran vocalist, songwriter, bassist and primary member of the beloved Chicago punk outfit Alkaline Trio. Decades into his prolific career, though, Andriano is just as in love with the process as he was in those early days of sweaty clubs and cramped vans.

On Andriano’s new Epitaph Records album, Dear Darkness, that unceasing passion is evident on this solo, self-produced project, which follows his 2015 release (as Dan Andriano in the Emergency Room) Party Adjacent, finds Andriano venturing into deeply personal lyrical territory while also pushing the limits of just what his unclassifiable sound can be. 

While off the road in 2020, Dan Andriano amassed a sizable collection of ideas, including a small batch of songs he felt were ready to bring into the studio. He sent a handful of those tracks out to close friends and trusted collaborators and was particularly encouraged by the excited response from Mike Park, an old friend and creative confidante whose Asian Man Records released Alkaline Trio’s first two albums.

Park was thrilled by what he heard and encouraged Andriano to consider a working on a new solo project. It was near the end of 2020, and enough strides had been made in COVID-19 safety that Andriano felt safe to travel from his home in St. Augustine, Florida to Park’s studio in San Jose, California. “He could tell that I was pent up and anxious and needed to do something productive and positive, and just get out of here,” Andriano says of Park. “So he was very helpful in getting me out there.”

While in San Jose, Park introduced Andriano to brothers Randy and Dylan Moore both of whom would end up playing alongside Andriano on Dear Darkness. The group originally intended to record an EP, but Andriano had so much material to work with —and felt such a natural rapport with the Moore brothers — that the impromptu session led to a full-length album.

ARCHITECTS new album captures a historic live stream performance event at the iconic Abbey Road studios: spiritual home to legends like The Beatles and Pink Floyd. Dubbed For Those That Wish To Exist at Abbey Road, the album features a reimagined orchestral version of their masterpiece album For Those That Wish To Exist, backed by their friends in the Parallax Orchestra, the well-respected UK based orchestra made up of some of England’s best and most versatile classical musicians, arranged and written by Simon Dobson, Parallax Orchestra’s conductor and a three times British Composer award (BASCA) winner for his compositions.

Vocalist Sam Carter speaks to the cultural importance of Abbey Road Studios, “It’s such an important part of music in not only the U.K. but all across the world. Some of the biggest and most important records of all time were recorded there. It’s such a joy to even be allowed into the building, let alone to record there. It’s a very special place; I still can’t quite believe we were able to create there.”

ARCHITECTS new album captures a historic live stream performance event at the iconic Abbey Road studios: spiritual home to legends like The Beatles and Pink Floyd. Dubbed For Those That Wish To Exist at Abbey Road, the album features a reimagined orchestral version of their masterpiece album For Those That Wish To Exist, backed by their friends in the Parallax Orchestra, the well-respected UK based orchestra made up of some of England’s best and most versatile classical musicians, arranged and written by Simon Dobson, Parallax Orchestra’s conductor and a three times British Composer award (BASCA) winner for his compositions.

Vocalist Sam Carter speaks to the cultural importance of Abbey Road Studios, “It’s such an important part of music in not only the U.K. but all across the world. Some of the biggest and most important records of all time were recorded there. It’s such a joy to even be allowed into the building, let alone to record there. It’s a very special place; I still can’t quite believe we were able to create there.”

ARCHITECTS UK are a band who’ve never shied away from challenging the world around them. After suffering the loss of co-founder /guitarist Tom Searle to cancer in 2016, the band returned to the road and the studio in 2017 releasing the hit track “Doomsday”, which climbed the Active Rock Radio charts and went on to be one the bands most successful songs. Long lauded as some of modern metal’s most progressive-thinking minds, for the past decade, the quintet have pushed boundaries, redefined genres, and never feared having to question themselves in order for their art to leave its mark on this Earth. ARCHITECTS UK, are a band like few others; The quintet all practice a vegan lifestyle, tour with a consciousness about their footprint on the world, and devote time and energies to environmental causes. Their 8th studio album, Holy Hell is the return to the studio for a band that have come through the grieving process with more drive and determination than ever before. Drummer Dan Searle- Desbiens takes on the helm as lyricist and writes music with his bandmates vocalist Sam Carter, guitarist Adam Christianson, bassist Alex Dean and new guitarist Josh Middleton. For the follow-up to their 2016 album All Our Gods Have Abandoned Us , ARCHITECTS UK recorded at Middle Farm Studios in Devon, UK with bandmates Dan Searle Desbiens and Josh Middleton behind the board as producers.

Growing up in the suburbs of Ontario, CA sisters Harmonie and Heaven Martinez have been playing music before they could walk and songwriting since middle school. It was when the two brought a few friends into the equation that they formed what is now an Indie rock band they call Ariel View. With Harmonie Martinez (vocals/lead guitar), Heaven Martinez (vocals/bass), Miranda Viramontes (rhythm guitar), and Nadina Parra (drums), Ariel View have played countless DIY and club shows across Southern California. Influenced by garage, surf, psych rock, emo, and pop punk, Ariel View make music you can dance to, party to, sing along to, or maybe even cry to if that strikes the mood.

Bad Religion began in the sprawling suburbs surrounding Los Angeles, with the teenage punks offering an impassioned counterpoint to a culture of consumerism and anti-intellectualism. Founding members Greg Graffin, Brett Gurewitz, and Jay Bentley were eventually joined by guitarists Brian Baker of Minor Threat, Mike Dimkich of The Cult, and drummer Jamie Miller of …And You Will Know Us by the Trail of Dead. Bad Religion have been highly influential force in modern punk, producing beloved international hits like “Infected,” “21st Century (Digital Boy),” and “Sorrow,” and building a devoted worldwide following.

Bad Religion are set to release their new album Age of Unreason, which can be described as  "a musical manifesto on the current political landscape.”  In a world still brimming with rampant anti-intellectualism, inequality and oppression, the band’s signature brand of sonically charged humanist dissent seems as relevant as ever.

Bad Religion began in the sprawling suburbs surrounding Los Angeles, with the teenage punks offering an impassioned counterpoint to a culture of consumerism and anti-intellectualism. Founding members Greg Graffin, Brett Gurewitz, and Jay Bentley were eventually joined by guitarists Brian Baker of Minor Threat, Mike Dimkich of The Cult, and drummer Jamie Miller of …And You Will Know Us by the Trail of Dead. Bad Religion have been highly influential force in modern punk, producing beloved international hits like “Infected,” “21st Century (Digital Boy),” and “Sorrow,” and building a devoted worldwide following.

Bad Religion are set to release their new album Age of Unreason, which can be described as  "a musical manifesto on the current political landscape.”  In a world still brimming with rampant anti-intellectualism, inequality and oppression, the band’s signature brand of sonically charged humanist dissent seems as relevant as ever.

Generator is the sixth studio album by the punk rock band Bad Religion. Although the album was completed in the spring of 1991, it was not released until 1992. The reason that the album's release date was pushed back was because Bad Religion was not happy with the artwork and packaging, and in order to release it, they went through ideas that were scrapped.[1] Generator was the band's first release with drummer Bobby Schayer, who replaced Pete Finestone during the Against the Grain tour. - Generator includes some fan favorites and concert staples, such as, "Generator", "No Direction", "Heaven Is Falling", "Atomic Garden", and "The Answer". The album was promoted with Bad Religion's first music video, which was filmed for the song "Atomic Garden".

Don’t Go Throwing Roses In My Grave is the first solo record by beloved frontman of The Menzingers, Gregor Barnett. Devoted Menzingers fans will love its electrified Americana riffs, yearning melodies, driving beats and indelible lyrical imagery. The Philadelphia based singer/songwriter is telling his stories with a folkier style then he does in The Menzingers, but his stories are just as moving and compelling.

Against the backdrop of Asbury Park , NJ rock and punk history comes BEACH RATS. With a membership that includes four impossible-to-avoid New Jersey punk stalwarts including Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Ari Katz (Lifetime), Bryan Kienlen and Pete Steinkopf (The Bouncing Souls) and rounded out by Danny Windas, AKA “Dubs” on drums . BEACH RATS play a brand of hardcore/punk that stays true to their members’ roots while creating something completely fresh and urgent.“I had moved to Asbury Park,” recounts guitarist Brian Baker. “And it turned out that Pete [Steinkopf] and Bryan [Kienlan] from the Bouncing Souls were sniffing around and had the idea to do a fun side-band with Ari Katz from Lifetime. They had recently played together at a memorial for Dave Franklin [Vision frontman, R.I.P.] and had a blast. That was the foundation of it. Like most of my career, I walked into a pre-existing situation, ready to go. They were talking about it and I was immediately like, ’I want to be in a band! Bands are great, let’s go!”

The common denominator for BEACH RATS for was simple. “It’s a mix of the Jersey Shore thing and a bunch of guys that can endlessly create 80’s hardcore riffs because we were there,” states Bryan Kienlan. “You’re gonna get authentic punk and hardcore from BEACH RATS because we are all from the 80’s. It’s literally taking it back to some of our biggest influences like Negative Approach and Poison Idea, And of course, Minor Threat.”

Against the backdrop of Asbury Park , NJ rock and punk history comes BEACH RATS. With a membership that includes four impossible-to-avoid New Jersey punk stalwarts including Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Ari Katz (Lifetime), Bryan Kienlen and Pete Steinkopf (The Bouncing Souls) and rounded out by Danny Windas, AKA “Dubs” on drums . BEACH RATS play a brand of hardcore/punk that stays true to their members’ roots while creating something completely fresh and urgent.“I had moved to Asbury Park,” recounts guitarist Brian Baker. “And it turned out that Pete [Steinkopf] and Bryan [Kienlan] from the Bouncing Souls were sniffing around and had the idea to do a fun side-band with Ari Katz from Lifetime. They had recently played together at a memorial for Dave Franklin [Vision frontman, R.I.P.] and had a blast. That was the foundation of it. Like most of my career, I walked into a pre-existing situation, ready to go. They were talking about it and I was immediately like, ’I want to be in a band! Bands are great, let’s go!”

The common denominator for BEACH RATS for was simple. “It’s a mix of the Jersey Shore thing and a bunch of guys that can endlessly create 80’s hardcore riffs because we were there,” states Bryan Kienlan. “You’re gonna get authentic punk and hardcore from BEACH RATS because we are all from the 80’s. It’s literally taking it back to some of our biggest influences like Negative Approach and Poison Idea, And of course, Minor Threat.”

Against the backdrop of Asbury Park , NJ rock and punk history comes BEACH RATS. With a membership that includes four impossible-to-avoid New Jersey punk stalwarts including Brian Baker (Minor Threat, Dag Nasty, Bad Religion), Ari Katz (Lifetime), Bryan Kienlen and Pete Steinkopf (The Bouncing Souls) and rounded out by Danny Windas, AKA “Dubs” on drums . BEACH RATS play a brand of hardcore/punk that stays true to their members’ roots while creating something completely fresh and urgent.“I had moved to Asbury Park,” recounts guitarist Brian Baker. “And it turned out that Pete [Steinkopf] and Bryan [Kienlan] from the Bouncing Souls were sniffing around and had the idea to do a fun side-band with Ari Katz from Lifetime. They had recently played together at a memorial for Dave Franklin [Vision frontman, R.I.P.] and had a blast. That was the foundation of it. Like most of my career, I walked into a pre-existing situation, ready to go. They were talking about it and I was immediately like, ’I want to be in a band! Bands are great, let’s go!”

The common denominator for BEACH RATS for was simple. “It’s a mix of the Jersey Shore thing and a bunch of guys that can endlessly create 80’s hardcore riffs because we were there,” states Bryan Kienlan. “You’re gonna get authentic punk and hardcore from BEACH RATS because we are all from the 80’s. It’s literally taking it back to some of our biggest influences like Negative Approach and Poison Idea, And of course, Minor Threat.”

The BLUE STINGRAYS’ story starts in ‘59...the band formed that summer and created a new sound. that sound was surf music. Like those who roamed the globe for the perfect wave, The BLUE STINGRAYS’ nailed the perfect sound when their twang rang ‘round the world. A singular devotion to surf guitar music became a way of life for them and they considered it to be the only artform profound enough to truly express the passion in man’s soul.

The facts in 2021 :
Upon its original release, the members of Blue Stingrays were touted as iconic yet anonymous surf rock pioneers. Now, after decades of whispers and speculation, the identities of these mysterious musicians have been officially confirmed as guitarist Mike Campbell (Tom Petty and The Heartbreakers/Fleetwood Mac/The Dirty Knobs), bassist Ron Blair (Tom Petty and The Heartbreakers) and drummer Randall Marsh (Mudcrutch).

The self-titled Epitaph debut from East Coast punkers the Bouncing Souls is an irreverent romp filled with melodic riffs and dangerously catchy, upbeat punk rock anthems. An instant classic, filled with many favs, such as “East Coast! Fuck You," and “The Toilet Song,” The Bouncing Souls is an exuberant collection of fist-pumping punk rock. Reissued on vinyl to celebrate the 25th anniversary of the release!

Taylor Vick makes music that is instantly comforting and arrestingly beautiful. Under her songwriting moniker Boy Scouts, the Bay Area artist has spent over a decade refining her craft, penning heartbreak confessionals over glitchy drum loops since Myspace days. It wasn’t until 2015 that Vick put together a live band and became a staple of San Francisco and Oakland lineups. On her forthcoming album, it feels like Boy Scouts has truly arrived. Recorded and produced by Stephen Steinbrink, every element exists purely to serve the songs - the bass lines bounce and guitars are lush, but nothing gets in the way of Vick’s true superpower, her voice. Delicately layered harmonies exude an effortless grace, and make the most casual lyrics hit the hardest. There’s something so honest about her songs, they feel like late night therapy sessions with your best friend.

“We wanted to do something grander than the typical four-piece Converge music.”

That’s CONVERGE vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into BLOODMOON:I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm and Cave In vocalist/guitarist Steve Brodsky.

What began as a mutual admiration society between festival bands has grown into a collaborative project featuring the indie music scene’s finest song writers. Harrowing and atmospheric, triumphant and melodious, BLOODMOON:I is CONVERGE as you’ve never heard them before. Produced by Kurt Ballou at his God City Studio.

“It’s hard to find new ways to be creative, but I think we’ve been good at sort of forcing ourselves to do that,” Ballou says. “And this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it.”

“I was just waiting ‘til I could get out and play music for the rest of the world,” says David Kelling, songwriter and front man of Culture Abuse. Bay Dream, Epitaph’s first full-length release for the band, offers up ten impeccably-crafted songs full of personal and universal lessons. And the best advice is simple and practical. “Be kind to the bugs, be conscious of others, be careful with drugs, be kind to yourself even though it gets hard,” Kelling sings out clearly over searing, rhythmic guitars provided by John Jr and new addition Nick Bruder on “Bee Kind to the Bugs.” Together with Shane Plitt on bass and drummer Ross Traver the band provides the same strong rock foundations and memorable, critical lyrics as their debut, Peach, but Bay Dream travels to exciting new territory for the five-piece. New territory makes sense, as Kelling has relocated to Los Angeles from San Francisco, and the songs read like open letters to both the cities and the people in them. Where Peach dealt with being in the middle of painful times, Bay Dream is about getting through them to find the sweet times are even sweeter. If Bay Dream is any milestone of where the band is going, there are clearly more good things up the road.

“I was just waiting ‘til I could get out and play music for the rest of the world,” says David Kelling, songwriter and front man of Culture Abuse. Bay Dream, Epitaph’s first full-length release for the band, offers up ten impeccably-crafted songs full of personal and universal lessons. And the best advice is simple and practical. “Be kind to the bugs, be conscious of others, be careful with drugs, be kind to yourself even though it gets hard,” Kelling sings out clearly over searing, rhythmic guitars provided by John Jr and new addition Nick Bruder on “Bee Kind to the Bugs.” Together with Shane Plitt on bass and drummer Ross Traver the band provides the same strong rock foundations and memorable, critical lyrics as their debut, Peach, but Bay Dream travels to exciting new territory for the five-piece. New territory makes sense, as Kelling has relocated to Los Angeles from San Francisco, and the songs read like open letters to both the cities and the people in them. Where Peach dealt with being in the middle of painful times, Bay Dream is about getting through them to find the sweet times are even sweeter. If Bay Dream is any milestone of where the band is going, there are clearly more good things up the road.

Since their inception in 2008, Defeater have stood apart as storytellers in the world of hardcore. Hailing from Boston, Massachusetts, the band’s lineup consists of Derek Archambault (vocals), Adam Crowe (guitar), Jake Woodruff (guitar), Joe Longobardi (drums) and Mike Poulin (bass). They have toured with the likes of La Dispute, Comeback Kid, and August Burns Red. Defeater will be the band’s fifth studio album

EVERY TIME I DIE is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They’ve survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. ETID makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers.

The band’s ninth studio album, Radical, is 16 tracks of peak-ETID, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that “All This And War” featuring guest vocals by Josh Scogins from The ‘68 is absolute brutal heaviness is an understatement. It’s an addictive punch in the face, you’ll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track “Thing With Feathers” featuring Andy Hull from Manchester Orchestra.

Radical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant – and fiercely combative – of the present state of world affairs.

2020 album from the surf punk band. Everything Seems Like Yesterday is the studio follow-up to their 2018 album Hypochondriac and the 2019 live release Live At The Observatory.

Hypochondriac, the third full-length album from San Diego band The Frights, is an album full of addictively catchy songs about fear and frustration. “I’ve gotten better with time, but I’m pretty paranoid about most things, especially health issues—I think everything’s killing me,” says Mikey Carnevale, vocalist/guitarist for The Frights. “That, mixed with anxiety, means that I can be a real baby. All of these songs address this in one way or another.” The album is their first full-length for Epitaph Records, who signed The Frights in early 2018. Produced by FIDLAR frontman Zac Carper, Hypochondriac follows The Frights’ 2016 album You Are Going To Hate This and marks a period of major creative growth for the band (which also includes bassist Richard Dotson, drummer Marc Finn, and guitarist Jordan Clark). “I wrote every song on an acoustic guitar, which is something I made a point to do,” says Carnevale. Throughout Hypochondriac, The Frights build a brilliant tension between their shiny hooks and painful lyrics, their goofball spirit and melancholy outlook. In the end, the album unfolds as their most emotionally honest work so far, just as the band intended it to be.

Vinyl LP pressing. 2020 album from the surf punk band. Everything Seems Like Yesterday is the studio follow-up to their 2018 album Hypochondriac and the 2019 live release Live At The Observatory.

2020 release. The band is known for their fast, punk-influenced two-piece bass and drum songs, with both their music and image being characterized by "DIY principles, thrift store-cum-glam fashion style and a vast list of influences." The brothers classify their sound as "vada vada," a philosophy which Wyatt Shears describes as "an idea that represents pure creative expression, that disregards all previously made genres and ideals".

Enhanced with PlayARt - Augmented Reality

In one of the most powerful comeback stories in recent history, THE GHOST INSIDE make a triumphant return the stage in Los Angeles at Shrine Expo, in 2019. With the 5000 capacity venue selling out in mere minutes, the show as moved to it’s parking lot, and selling over 8000 tickets by the end of on sale day. 

THE GHOST INSIDE will release Rise From The Ashes: Live At The Shrine via Epitaph Records. This live concert recording is from the band’s 2019 sold out comeback show in Los Angeles, CA in the parking lot of The Shrine.

On an early morning in November 2015, THE GHOST INSIDE was involved in an accident that claimed the lives of their driver, the lives of everyone in the other vehicle, and resulted in multiple injuries for all of the band members. Jonathan Vigil (vocals) suffered from a fractured back, ligament damage, and two broken ankles. Zach Johnson (guitar) has since had 13 surgeries for a femur injury. Andrew Tkaczyk (drums) ultimately lost his leg. The future of the band was very much up in the air throughout 2016, as everyone struggled to recover.

The road to recovery was both mentally and physically extensive but THE GHOST INSIDE were determined to get back to doing what they love. Nearly four years later, the band did just that, returning to the stage July 2019. Originally meant to take place at the historic Shrine Auditorium, tickets sold out so quick that the gig had to be moved to the parking lot, selling double the venues capacity. Over 8000 people witness this return to the stage. The accident will always be a defining moment for THE GHOST INSIDE, but never what defines them. 

Vinyl LP pressing. 2020 release. The Ghost Inside is a Los Angeles-based hardcore band. They began as a group of friends in El Segundo, CA united by their shared passion for bands in the hardcore scene. The group stands for authenticity, dedication, perseverance and the most literal adherence to the core values behind their craft. Sonically, the group places equal emphasis on deeply personal vocals, urgent riffing and pile-driving breakdowns within the framework of their heavily melodic modern hardcore.

Hot Water Music. Those three words describe more than just a band at this point, they describe a way of life. Since forming in Florida in 1994, the act have constantly reinvented themselves by combining elements of punk rock and post-hardcore over the course of eight full-lengths, countless vinyl releases and energetic live shows. However instead of taking a victory lap in celebration of their current 25th anniversary tour –group marked the occasion by recording five new songs for the Shake Up The Shadows EP, which sees the band – guitarist/vocalists Chuck Ragan and Chris Wollard, bassist Jason Black and drummer George Rebelo – crafting some of the most impassioned music of their career. “Celebrating our 25th anniversary isn't self-congratulatory,” Ragan summarizes. “It's the band saying, 'Look at what all of us built and let's celebrate that.'”